MAGNIFICENCE
Estrella D. Alfon
There was nothing to fear, for the man was always
so gentle, so kind. At night when the little girl and her
brother were bathed in the light of the big shaded bulb that hung over the
big study table in the
downstairs hall, the man would knock gently
on the door, and come in. he would stand for a while just beyond the
pool of light, his feet in the circle of illumination, the rest of him in shadow.
The little girl and her brother would look up at him where they sat at the
big table, their eyes bright in the bright light, and watch him come fully
into the light, but his voice soft, his manner slow. He would smell very
faintly of sweat and pomade, but the children didn’t mind although they did
notice, for they waited for him every evening as they sat at their lessons
like this. He’d throw his visored cap on the table, and it would fall down
with a soft plop, then he’d nod his head to say one was right, or shake it to
say one was wrong.
It was not always that he came. They could
remember perhaps two weeks when he remarked to their mother
that he had never seen two children looking so smart. The praise had
made their mother look over
them as they stood around listening to the
goings-on at the meeting of the neighborhood association, of which their
mother was president. Two children, one a girl of seven, and a boy of
eight. They were both very tall
for their age, and their legs were the long
gangly legs of fine spirited colts. Their mother saw them with eyes that held
pride, and then to partly glossover the maternal gloating she exhibited,
she said to the man, in answer to his praise, But their homework. They’re
so lazy with them. And the man said, I have nothing to do in the
evenings, let me help them. Mother nodded her head and said, if you want to
bother yourself. And the thing rested there, and the man came in the
evenings therefore, and he helped solve fractions for the boy, and write
correct phrases in language for the little girl.
In those days, the rage was for pencils.
School children always have rages going at one time or another. Sometimes for paper butterflies that are held on sticks, and whirr in the wind. The Japanese bazaars promoted a rage for those. Sometimes it is for little lead toys found in the folded waffles that Japanese confection-makers had such light hands with. At this particular time, it was for pencils. Pencils big but light in circumference not smaller than a man’s thumb. They were unwieldy in a child’s hands, but in all schools then, where Japanese bazaars clustered there
were all colors of these pencils selling for very low, but unattainable to a child budgeted at a baon of a centavo a day. They were all of five centavos each, and one pencil was not at all what one had ambitions for. In rages, one kept a collection. Four or five pencils, of different colors, to tie with strings near the eraser end, to dangle from one’s book-basket, to arouse the envy of the other children who probably possessed less.
Add to the man’s gentleness and his
kindness in knowing a child’s desires, his promise that he would give
each of them not one pencil but two. And for the little girl who he said
was very bright and deserved more,
who would get the biggest pencil he could
find.
One evening he did bring them. The evenings
of waiting had made them look forward to this final
giving, and when they got the pencils they whooped with joy. The little
boy had tow pencils, one green, one blue. And the little girl had three
pencils, two of the same circumference as the little boy’s but
colored red and yellow. And the third pencil, a jumbo size pencil really, was
white, and had been sharpened, and the little girl jumped up and down, and
shouted with glee. Until their mother called from down the stairs. What
are you shouting about? And they told her, shouting gladly, Vicente,
for that was his name. Vicente had brought the pencils he had promised them.
Thank him, their mother called. The little
boy smiled and said, Thank you. And the little girl smiled, and
said, Thank you, too. But the man said, Are you not going to kiss me for
those pencils? They both came forward, the little girl and the little
boy, and they both made to kiss him but Vicente slapped the boy smartly on his
lean hips, and said, Boys do not kiss boys. And the little boy laughed
and scampered away, and then ran back and kissed him anyway.
The little girl went up to the man shyly,
put her arms about his neck as he crouched to receive her embrace,
and kissed him on the cheeks.
The man’s arms tightened suddenly about the
little girl until the little girl squirmed out of his arms, and
laughed a little breathlessly, disturbed but innocent, looking at the man
with a smiling little question of puzzlement.
The next evening, he came around again. All
through that day, they had been very proud in school showing
off their brand new pencils. All the little girls and boys had been
envying them. And their mother had finally to tell them to stop talking about
the pencils, pencils, for now that they had, the boy two, and the girl three,
they were asking their mother to buy more, so they could each have five, and
three at least in the jumbo size that the little girl’s third pencil
was. Their mother said, Oh stop it, what will you do with so many pencils, you
can only write with one at a time.
And the little girl muttered under her
breath, I’ll ask Vicente for some more.
Their mother replied, He’s only a bus
conductor, don’t ask him for too many things. It’s a pity. And this
observation their mother said to their father, who was eating his evening
meal between paragraphs of the
book on masonry rites that he was reading.
It is a pity, said their mother, People like those, they make friends with
people like us, and they feel it is nice to give us gifts, or the children toys
and things. You’d think they wouldn’t be able to afford it.
The father grunted, and said, the man probably
needed a new job, and was softening his way through to him by
going at the children like that. And the mother said, No, I don’t
think so, he’s a rather queer young
man, I think he doesn’t have many friends,
but I have watched him with the children, and he seems to dote on them.
The father grunted again, and did not pay
any further attention.
Vicente was earlier than usual that
evening. The children immediately put their lessons down, telling
him of the envy of their schoolmates, and would he buy them more
please?
Vicente said to the little boy, Go and ask
if you can let me have a glass of water. And the little boy ran away to comply,
saying behind him, But buy us some more pencils, huh, buy us more pencils, and
then went up to stairs to their mother.
Vicente held the little girl by the arm,
and said gently, Of course will buy you more pencils, as many as you
want.
And the little girl giggled and said, Oh,
then I will tell my friends, and they will envy me, for they don’t have
as many or as pretty.
Vicente took the girl up lightly in his
arms, holding her under the armpits, and held her to sit down on his lap and he
said, still gently, What are your lessons for tomorrow? And the little girl
turned to the paper on the table where she had been writing with the jumbo
pencil, and she told him that that was her lesson but it was easy.
Then go ahead and write, and I will watch
you.
Don’t hold me on your lap, said the little
girl, I am very heavy, you
will get very tired.
The man shook his head, and said nothing,
but held her on his lap
just the same.
The little girl kept squirming, for somehow
she felt uncomfortable to be held thus, her mother and father
always treated her like a big girl, she was always told never to act like a
baby. She looked around at
Vicente, interrupting her careful writing
to twist around.
His face was all in sweat, and his eyes
looked very strange, and he indicated to her that she must turn around,
attend to the homework she was writing.
But the little girl felt very queer, she
didn’t know why, all of a sudden she was immensely frightened, and she jumped
up away from Vicente’s lap.
She stood looking at him, feeling that
queer frightened feeling, not knowing what to do. By and by, in a
very short while her mother came down the stairs, holding in her hand a
glass of sarsaparilla, Vicente.
But Vicente had jumped up too soon as the
little girl had jumped from his lap. He snatched at the papers
that lay on the table and held them to his stomach, turning away from the
mother’s coming.
The mother looked at him, stopped in her
tracks, and advanced into the light. She had been in the shadow.
Her voice had been like a bell of safety to the little girl. But now she
advanced into glare of the light that
held like a tableau the figures of Vicente
holding the little girl’s papers to him, and the little girl looking up at him
frightenedly, in her eyes dark pools of wonder and fear and question.
The little girl looked at her mother, and
saw the beloved face transfigured by some sort of glow. The
mother kept coming into the light, and when Vicente made as if to move away
into the shadow, she said, very
low, but very heavily, Do not move.
She put the glass of soft drink down on the
table, where in the light one could watch the little bubbles go
up and down in the dark liquid. The mother said to the boy, Oscar, finish
your lessons. And turning to the
little girl, she said, Come here. The
little girl went to her, and the mother knelt down, for she was a tall woman and
she said, Turn around. Obediently the little girl turned around,
and her mother passed her hands
over the little girl’s back.
Go upstairs, she said.
The mother’s voice was of such a heavy
quality and of such awful timbre that the girl could only nod her
head, and without looking at Vicente again, she raced up the stairs. The
mother went to the cowering man, and marched him with a glance out of
the circle of light that held the little boy. Once in the shadow, she
extended her hand, and without any opposition took away the papers that
Vicente was holding to himself.
She stood there saying nothing as the man
fumbled with his hands and with his fingers, and she waited until he
had finished. She was going to open her mouth but she glanced at the boy
and closed it, and with a look
and an inclination of the head, she bade
Vicente go up the stairs.
The man said nothing, for she said nothing
either. Up the stairs went the man, and the mother followed behind. When they
had reached the upper landing, the woman called down to her son, Son, come up
and go to your room.
The little boy did as he was told, asking
no questions, for indeed he was feeling sleepy already.
As soon as the boy was gone, the mother
turned on Vicente. There was a pause.
Finally, the woman raised her hand and
slapped him full hard in the face. Her retreated down one tread of
the stairs with the force of the blow, but the mother followed him. With her
other hand she slapped him
on the other side of the face again. And so
down the stairs they went, the man backwards, his face continually open to
the force of the woman’s slapping. Alternately she lifted her right
hand and made him retreat before her until they reached the bottom
landing.
He made no resistance, offered no defense.
Before the silence and the grimness of her attack he cowered,
retreating, until out of his mouth issued something like a whimper.
The mother thus shut his mouth, and with
those hard forceful slaps she escorted him right to the other
door. As soon as the cool air of the free night touched him, he recovered
enough to turn away and run,
into the shadows that ate him up. The woman
looked after him, and closed the door. She turned off the blazing
light over the study table, and went slowly up the stairs and out into the
dark night.
When her mother reached her, the woman,
held her hand out to the child. Always also, with the terrible
indelibility that one associated with terror, the girl was to remember the
touch of that hand on her
shoulder, heavy, kneading at her flesh, the
woman herself stricken almost dumb, but her eyes eloquent with that
angered fire. She knelt, She felt the little girl’s dress and took it off with
haste that was almost frantic, tearing at the buttons and imparting a terror to
the little girl that almost made her sob. Hush, the mother said. Take a bath
quickly.
Her mother presided over the bath the
little girl took, scrubbed her, and soaped her, and then wiped her
gently all over and changed her into new clothes that smelt of the clean
fresh smell of clothes that had
hung in the light of the sun. The clothes
that she had taken off the little girl, she bundled into a tight wrenched
bunch, which she threw into the kitchen range.
Take also the pencils, said the mother to
the watching newly bathed, newly changed child. Take them and
throw them into the fire. But when the girl turned to comply, the mother
said, No, tomorrow will do. And taking the little girl by the hand, she
led her to her little girl’s bed, made her lie down and tucked the covers
gently about her as the girl dropped off into quick slumber.
End
Reference:
"Magnificence." by Alfon, Estrella. Scribd.com. Web. 16 March 2013. <http://www.scribd.com/doc/34486874/Magnificence-Estrella-Alfon>
Reference:
"Magnificence." by Alfon, Estrella. Scribd.com. Web. 16 March 2013. <http://www.scribd.com/doc/34486874/Magnificence-Estrella-Alfon>
what is the genre of the text?